‘Serpent’s Path’ Review: Kiyoshi Kurosawa Turns to His Own Back Catalogue, With Coldly Compelling Results

“The first version is the work of a talented amateur,” said Alfred Hitchcock to François Truffaut of his 1934 thriller “The Man Who Knew Too Much,” remade by Hitch himself in 1956. “The second was made by a professional.” Few are the filmmakers who gather sufficient career mileage and goodwill to take a second pass […]